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The one rogue agent who managed to take out S.H.I.E.L.D agents like it was no one’s business. Six against one hardly seemed fair, and it wasn’t the six still couldn’t compete against the one.

Now, hours later, only six remained standing. The sudden and surprise attack upon Captain American, a blow to the back of the head that had the mighty Super Soldier suddenly face down in the snow, that was the start of a much bigger battle. Simple as that.) it was the after math that they hadn’t been prepared for. And while it didn’t take them long to render him utterly destroyed (really, whoever thought they could beat the Avengers with a giant Abominable Snowman clearly hadn’t been thinking the laws of basic science. No matter what the cost.Ī crowd had gathered some time ago, watching with great interest as the Avengers and half of S.H.I.E.L.D swept into Central Park to battle the ten foot evil Frosty from Hell. It wasn’t going to be pretty, but they all knew that the man had to be stopped. They were under attack, and by one of their own at that.

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The Avengers, plus their handler Agent Coulson, stood poised and ready, armed to the teeth and none seeming phased by the chill in the air. The departure McGurk and Rossett was actually triggered when the two unsuccessfully sought a commitment from Albrecht to provide the funding to release the films this fall.The snow had stopped falling as heavily hours before, but still they remained in the dimming sunlight, agents fallen all around them.

“Jack Goes Boating” is Philip Seymour Hoffman’s directorial debut, which debuted earlier this year at the Sundance Film Festival John Curran’s dramatic thriller “Stone” stars Edward Norton and Robert De Niro and Matt Reeves’ “Let Me In” is a remake of the Swedish tween vampire movie. (Relativity did not pick up the 16 movies in Overture’s library.) Overture Films will release its remaining titles - “Jack Goes Boating,” “Stone” and “Let Me In” - through a new distribution services agreement with Relativity.

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Starz Media has of late refocused its efforts on the TV side of the biz by greenlighting or buying several big-budget productions under management led by former HBO topper Chris Albrecht.

Move follows the exits of Overture toppers Chris McGurk and Danny Rosett, who left recently in the wake of John Malone’s decision to downsize his overall company’s exposure to the film production business. (Relativity will not have any Starz TV pay arrangement as a result of the Overture acquisition.) The Relativity Media CEO also said that his company’s deal with Netflix is as good as any studio’s pay TV deal with the traditional pay channels like HBO and Showtime and has fewer restrictions. Relativity plans to release 12 of its own movies over the next year and more than 20 in 2012, Kavanaugh said. It does so, he went on to explain, by instantly adding marketing and distribution systems and expertise to his own development, production and film financing activities. “This essentially turns us into a full-fledged studio,” Kavanaugh told THR. The Overture name itself will be retired. The purchase effectively brings a marketing and distribution apparatus to Relativity’s own film production operation, Rogue Pictures, whose movies will go out through a recent pay-TV deal that Kavanaugh’s team clinched with Netflix.

Some 45 staff members, or two-thirds of Overture’s employees, will make the move to Relativity Media in West Hollywood, including Peter Adee, formerly Overture Films’ president of worldwide marketing, distribution and new media, and Kyle Davies, president, theatrical distribution. Ryan Kavanaugh’s Relativity Media is taking over the distribution and marketing operations and some assets of the Starz Overture Films subsidiary.